태우 미디어 주식회사

Luther VanDross - A House is not a Home (Live)

하지만, 그래도 너무나 파워풀한 Luther.

Dear God,
This is my confession of love to You.

With all I am, I want to follow You.
Never leave me. Always be there for me.
Let me touch you and see if you're real.

I love you, Lord.

- - - - - - -

If You want me to

Ginny Owens

The pathway is broken
And the signs are unclear
And I don't know the reason why You brought me here
But just because You love me the way that You do
I'm gonna walk through the valley
If You want me to

Cause I'm not who I was
When I took my first step
And I'm clinging to the promise You're not through with me yet
so if all of these trials bring me closer to You
Then I will go through the fire
If You want me to

It may not be the way I would have chosen
When You lead me through a world that's not my home
But You never said it would be easy
You only said I'd never go alone

So When the whole world turns against me
And I'm all by myself
And I can't hear You answer my cries for help
I'll remember the suffering Your love put You through
And I will go through the darkness if You want me to

When I cross over Jordan, I'm gonna sing, gonna shout
Gonna look into Your eyes and see You never let me down
So take me on the pathway that leads me home to You
And I will walk through the valley if You want me to
Yes, I will walk through the valley if You want me to

살아있는 앨범. 정말로 살아있는 앨범.

위키피디어에서 가져온 각 노래에 대한 설명

Chan Chan

"Chan Chan", the first song on the album, is a Cuban song composition by Compay Segundo, revolving around two central characters, 'Juanita' and 'Chan Chan'.^[6] The song was one of Compay's last compositions and was written in 1987.^[6] "Chan Chan" was recorded by Segundo himself various times as well as by many other Latin artists.

El Cuarto de Tula

El Cuarto de Tula was composed by Luis Marquetti, cousin of Cuban singer songwriter Cheo Marquetti, in 1945. It is sung by Eliades Ochoa with Ibrahim Ferrer and Manuel "Puntillita" Licea joining Ochoa in an extended descarga (jam) section improvising lyrics. Barbarito Torres plays a frenetic lute solo towards the end of the track. Timbales are played by the 13 year old Julienne Oviedo Sánchez.^[7]

Dos Gardenias

Dos Gardenias is a bolero sung by Ibrahim Ferrer. The song was written by Isolina Carillo in the 1930s and became a huge success in the 1940s. The song was chosen for the album after Cooder heard Ferrer and Rubén González improvising the melody before a recording session. Ferrer learned the song whilst playing with Cuban bandleader Benny More.^[8]

Y Tú Qué Has Hecho?

Y Tú Qué Has Hecho was written 1920’s by Eusebio Delfín and features his friend Compay Segundo on tres and vocals. Segundo was traditionally a "second voice" singer providing a baritone counterpoint harmony. On the Buena Vista Social Club recording of Y Tú Qué Has Hecho, he multitracks both voices. The song also features a duet between Segundo on tres and Ry Cooder on guitar.^[9]

Veinte Años

Veinte Años is a bolero written by Mar’a Teresa Vera and is sung on the Buena Vista album by the only female in the ensemble, Omara Portuondo with Segundo providing baritone.^[10]

El Carretero

El Carretero is a guajira (country lament) sung by Eliades Ochoa with the full ensemble providing additional instruments and backing vocals.

Candela

Candela is a popular song written by Faustino Oramas with lyrics rich with sexual innuendo. On the album it is sung by Ibrahim Ferrer who improvises vocal lines throughout the track, and the whole ensemble perform an extended descarga.

Buena Vista Social Club

Buena Vista Social Club was written by bass player "Cachaíto"’s father, Orestes López.^[1] The song spotlighted the piano work of Rubén González and it was recorded after Cooder heard González improvising around the tune's musical theme before a day's recording session. After playing the tune, González explained to Cooder the history of the social club and that the song was the club's "mascot tune".^[1] When searching for a name for the overall project, manager Nick Gold chose the song's title. According to Cooder, "It should be the thing that sets it apart. It was a kind of club by then. Everybody was hanging out and we had rum and coffee around two in the afternoon. It felt like a club, so let’s call it that. That’s what gave it a handle."^[1]

Aretha Franklin - Don't Play That Song For Me

한번은 태섭이한테 물었다.
"나 노래할까 피아노할까?"
"둘 다 하지, 왜?"
"그게, 음. 둘 다 집중하기 쉽지 않거든.
 아무래도 따로 반주가 있으면 노래할 때 호흡도 길어지고 표현도 자유로워지고.
 반대로 노래 안 부르고 피아노만 치면 완전 심취될 수 있거든."
"완전 핑계."
"아니, 핑계가 아니라 진짜로 하는 얘기야. 슬슬 하나로 집중해야하지 않을까?"
"그럼, 스티비, 레이, 아레사는 모야?"
"..."
"것 봐."

항상 맞는 말만 하는 놈. 나쁜 놈.

Chicago - We Both Reached for the Gun

군중들 (기자들 포함)을 가지고 놀기는 생각보다 어려운 것이 아니다.

필요한 것은 약간의 두뇌와 커뮤니케이션 스킬.

재미있는 노래.